迷失在不同主体和不同议题交织起来的雾网，对我来说更像是一个主题广泛大师手笔论文

(BFI Flipside系列)《紅、白與零》(Red、White And Zero，1967)三個短片集錦。瑰寶。②Lindsay Anderson→《The White Bus》：一個女遊魂的巴士返鄉遊歷，在街頭晃蕩中凝視城市與自我沉澱，黑白影像是時空膠囊紀實，亦是對過往的尋思。

Very interesting and intriguing, the setting is both real and unreal at the same time, which is the whole point of surrealism. Clearly we can sense some black humor mocking of modern anxiety, which brings up the certain philosophical problems that still applicable now.

红、白和零

7/10.只评《白色巴士》，一位游走的女士，一个飘离的视点，社会事件、历史印记、众生百态都被纳入其视线范围，黑白色时而变换成高饱和的彩色，但其实上色的段落并不具备显著的象征意义，而只是增强些趣味。